Audeze Vero Full Range Headphone Interface



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VERO Personal Audio

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The Audeze Vero Full Range Headphone Interface utilizes MIT Cables patented Multipole™ Technology, which is a parallel and passive network that helps maintain the quality of the signal as it passes from source to headphones. The Audeze Vero Full Range Cable has 12 Poles of Articulation strategically placed across the full audible spectrum (20hz-20khz) and is designed to work with specific headphones. The Vero Full Range Headphone Cable comes in three different input variations:

  • 3.5mm TRS 
  • 1/4” TRS 
  • 4 PIN XLR 

    The Vero Full Range Cable is built to use with headphones that are terminated with mini 4 PIN XLR connectors such as Audeze LCD Series headphones. By replacing the stock headphone cables with Vero, you will notice a much larger soundstage, meaning the music is now more three-dimensional and much more present in front of you rather than music moving in between your ears. MIT’s patented MultipoleTechnology, articulates the high, midrange and low frequencies of the music, providing the listener with cleaner bass and full vocals.

    Vero Full Range Headphone Interface (PDF)

    MIT Cables founder Bruce Brisson began purposefully designing audio cables in the 1970’s after encountering the sonic problems inherent in cables typical of the day. He later founded Music Interface Technologies in 1984 after patenting and licensing his early designs to other manufacturers, producing some of the audio industry’s most ground-breaking and seminal products. 

    MIT Cables core audio cable technology is our exclusive Poles of Articulation, named after the fact that every audio cable has a single point where it is most efficient at storing and transporting energy. At this point in the audio frequency spectrum, the cable will articulate best, and represents the cables’ particular Articulation Pole.

    Graph A: Represents the bandwidth of the audible range of the human ear. We will use this graph to describe how well a cable articulates across the audible bandwidth. The 50% line serves as our baseline for articulation response.

    Continue Reading about Multipole™ Technology

    Q: What are MIT Filterpoles™?
    A: Poles of Attenuation

    (as referenced in The Impedance Domain)*

    A properly built AC filter will not only attenuate unwanted noise on the AC power line, but it will also optimize the power factor.

    The best way to attenuate unwanted noise is to create a very low impedance (a zero of impedance across the load which acts as an attenuation pole to the noise) surrounding the frequency (or frequencies) of the undesirable noise. In the case of audio, that would be at any frequency other than the power line frequency. This is best accomplished by placing a tuned circuit in parallel, around the load. MIT was awarded this patent in November 9, 1993: number 5,260,862.

    Also important is the Power Factor which is a (dimensionless) number between 0 and 1. When power factor is equal to 0, the energy flow is entirely reactive, and stored energy in the load returns to the source on each cycle. When the power factor is 1, all the energy supplied by the source is consumed by the load and nothing is reflected back to the source. MIT was awarded a patent on this technology regarding audio in July 13, 1993: number 5,227,962.

    Continue Reading about Filterpole™ Technology

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